Johnny Depp. Dribble.


Someone once asked plaintively, and not a little naffly, 'Where have all the cowboys gone?'. And here, ladies and gentlemen, is their answer.

They've all been melted down and re-built into this über-cowboy for the 21st century, with all of the brooding sexiness and none of the dodgy attitude towards 'injuns'.

Johnny Depp. Officially (yes, officially) the most beautiful man in the world, even at 44. Especially now that Brad Pitt's gone all beardy and George Clooney's gone all old.

He can lasso me anytime. I'll be his ra(u)nch hand. Etc etc.

*OSoYou.com Blog*

Depp film firm coming to town Saturday in search of vintage vehicles

The production company behind the Johnny Depp film "Public Enemies" will return to Oshkosh Saturday, this time in search of vintage cars, trucks and buses.

Howard Bachrach, picture car captain for Universal Pictures, will be in Oshkosh to search for vehicles to use in the 1930s-era gangster film directed by Michael Mann. He is asking people who own vehicles built between 1930 and 1935 to stop by the Oshkosh Convention Center, 2 N. Main St., between 9 a.m. and 4 p.m. Saturday.

He said vehicles produced between 1931 and 1935 would be ideal because they are models with V-8 engines and smoother body lines. He also said the car has to have its original exterior and an original color available at the time.

"I've done three of (Mann's) movies and this will be my fourth," Bachrach said. "He's all about authenticity. He's a stickler for having them say the right things and drive the right vehicles."

The buzz over the film has been a hot topic in Oshkosh and throughout Wisconsin, with site selectors and other production staff looking at historic buildings around the state.

Oshkosh sites that have been visited by the production company, such as the Grand Opera House, report no requests have been made to film scenes in Oshkosh.

"I don't think anything's set in concrete at this point," Grand Opera House Development Director Jeff Potts said. "We're still kind of in the dark and hopeful the city remains in the running. We're hoping we hear soon one way or another."

*Oshkosh Wisconsin*

Depp movie producers seeking

Film official coming to Miller Park on Sunday to meet people

Picture the scene: A Wisconsin road in the early 1930s. Johnny Depp, portraying legendary American bank robber John Dillinger, and his gang are on the lam, trying to escape the FBI.

Local classic car owners could help to create this scene by allowing Universal Productions to use their cars in the period movie "Public Enemies," starring Depp as Dillinger and directed by Michael Mann. The movie has long been rumored to be considering multiple Wisconsin locations for shooting, and now its production company is asking local vintage car owners to show off their vehicles for possible use in the movie.

Howard Bachrach, the picture car captain for Universal Pictures, will be in Milwaukee on Sunday at Miller Park to scout potential cars, trucks and buses to be used as background vehicles.

"They (car collectors) are a bunch of great people and because they’re passionate about what they’re doing, they’re willing to help us out," Bachrach said.

He said that he has contacted local car clubs in the area inviting them to bring their vehicles made from 1930 to 1935 to the stadium for consideration.

*GM Today*

Truly, madly, Depp-ly


Everybody loves Johnny. That, I've learned, is an undeniable universal truth.

For two weeks before I left for London to meet the cast and creative team behind the film adaptation of the stage musical Sweeney Todd: The Demon Barber of Fleet Street, everything that anyone said to me was Johnny Depp-related. I would text message a friend about dinner plans and the reply would read: "Please swipe Johnny's water bottle for me. Want his DNA for Christmas".

I arrived at the immigration counter at Heathrow and was interrogated by an officer with a face so crumpled and grumpy, you'd think a flock of angry sheep had fallen out of her dreams and thumped her on the head.

"What is the purpose of this visit?" she growled at me as if I had left her broken-hearted at the altar last Valentine's, and was back to take custody of our dog. I informed her politely that I had made the trip to England to interview Johnny Depp.

I swear the previously cantankerous woman giggled like a schoolgirl, professed her undying love for Johnny, and merrily stamped my passport.

SUFFER THE LITTLE PEOPLE

In Sweeney Todd — Depp's first musical — he plays a murderous barber whose victims end up as pie-filling. The gruesome role is far from loveable, unlike his iconic takes on Captain Jack Sparrow or Edward Scissorhands, but it will do little to quell the public's adoration for the one-time teen idol.

Sitting in a function room at the very fancy Claridge's Hotel in swanky Mayfair, it was clear the cosy gathering of the world's press had also braved turbulence and Nazi airport security just for Depp.

"I can't believe we have to sit through all the interviews with all these people just to talk to Johnny Depp at the end," I overheard an Asian journalist complain with a pout.

"These people" included celebrated composer and lyricist Stephen Sondheim (Sweeney Todd, West Side Story, A Funny Thing Happened on the Way to the Forum), legendary film producer Robert Zanuck (Jaws, Driving Miss Daisy, Charlie and the Chocolate Factory), the wonderful Alan Rickman (Harry Potter's Severus Snape) and a very pregnant Helena Bonham Carter (Howard's End, Fight Club and mother of director Tim Burton's children).

It was hardly a group to snub one's nose at, and the journalist was being highly disrespectful. At least I pretended to listen to those people talk. Never forget your manners — even when you're being dismissive.

First, it was Sondheim's turn to talk. The composer speaks with his eyes almost completely closed, as if he's constantly squinting at the world. This is what happens when you read musical sheets all the time — they should totally use bigger paper.

Oscar-nominated costume designer Colleen Atwood talked about her inspiration for the clothes, but I was too distracted by her scuffed suede shoes to pay attention.

The two young actors who play lovebirds in the film — Jayne Wisener and Jamie Campbell Bower — popped in for a chat. I asked them how they set about playing love-struck innocents without being terribly irritating.

Wisener asked if I thought they were annoying on screen. I laughed and said: "Of course not!"

I lied.

I hated their performances the way I detest fava beans. Rickman was taller and larger than I had imagined he would be, and he has a way of speaking that makes any drivel that comes out of his mouth sound utterly intelligent. Bonham Carter wore frightful miniature doilies in her frizzy hair.

A VERY DEPP CONVERSATION

Finally, after an entire morning of chatting to people who didn’t star in 21 Jump Street, Johnny Depp appeared, accompanied by director Tim Burton. The actor was swathed in a mountain of clothing. He had on a thick tweed jacket over a long-sleeved denim shirt, which was in turn over another shirt. He finished his look with a thick scarf, a great big hat and a large haul of necklaces. It turned out the actor was keeping himself warm because he was nursing a bad flu. "I go through bouts of, like, shivering and then just sweating," he said to his handlers. But that didn’t explain why he had on more necklaces than Mr T at Mardi Gras.

The notoriously private Depp is soft-spoken and rather shy. He’s not unfriendly. On the contrary, he was cracking jokes and speaking candidly. He sounded thoughtful and philosophical — if only I could understand what he was saying.

The 44-year-old mumbles at a decibel lower than that of most vibrating devices. It doesn’t help that his American accent is now hooded by a strange European slur. Imagine an eccentric old man drunk on grappa and you wouldn’t be too far off the mark.

THE GREATEST LOVE OF ALL

During the rare moments when Depp was audible, he showed a palpable rapport with Burton — a director he has worked with six times.

When asked why he chooses quirky film roles like an all-singing murderous barber in Sweeney Todd, he answered: "I think it’s probably a combination or something in between being hard-headed and ignorant in terms of taking the road I’ve taken … And for something like Sweeney Todd, Tim comes in the picture before all of that, and anything he would ask me to do I would jump at the opportunity."

"Except ballet," teased Burton.

"No, I actually would! I would try," said Depp with a laugh.

The men continued to sing each other’s praises.

"Since the first second that we met all those years ago in a café in Los Angeles, for me, there was an instant connection on a lot of different levels. He had a weird fascination and understanding of the absurdity of things … like macramé owls and fake fruit on the kitchen table," said Depp, who is the godfather of Burton and Bonham Carter’s three-year-old son, Billy.

“Ever since then, I have only wanted, as an actor, to give him as close to what he wants as possible … With Tim, before I think about what I feel for the character, I’m just hoping that I won’t let him down. He comes first.”

According to Depp, even filming a movie as dark and macabre as Sweeney Todd was fun together.

“Filming was like a laugh riot. We were constantly laughing. It was a great time,” he said.

Burton, 49, returned the compliment: “Johnny tries anything … He’s just willing to go out there. It’s an artistic pleasure to watch somebody try different things and actually achieve it beyond your expectations.”

Yes, everybody loves Johnny.

But nobody, it seems, more than Tim Burton.

*Channel NewsAsia*

Pirates of the Caribbean: At World's End


This should be the climax of one of the all-time classic trilogies, up there with Back to the Future, Indiana Jones and - dare we say it - the original Star Wars series.

Unfortunately, Pirates of the Caribbean began with a hit (Curse of the Black Pearl), kept viewers guessing with a confusing middle (Dead Man's Chest) and bored everyone to tears with At World's End - the third and hopefully final instalment.

It's not Johnny Depp's fault - his performance of drunk pirate Captain Jack Sparrow is still pitch-perfect. His surreal set-piece while stuck in Davy Jones' Locker is one of At World's End's best moments.

But what should be a simple and enjoyable finale is instead let down by a grim opening, an extremely complex plot and a climax that leaves viewers wondering what the hell is going on - and why they're even bothering.

Director Gore Verbinski would have been better to remember that old acronym, Keep Things Simple Stupid, next time he attempts something on this kind of scale.

Extras: A second disc includes bloopers, deleted scenes, features on Chow Yun Fat and Keith Richards' cameos and an inside look at the filming of Depp's extraordinary Davy Jones' Locker sequence.

*Pirates of the Caribbean: At World's End is rated M. Out now through Roadshow Entertainment.

*stuff.co.nz*

Pirates of the Caribbean: At World's End

Pirates of the Caribbean: At World's End (Cert. 12A, 168 min)
Starring: Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush, Chow Yun-Fat
Director: Gore Verbinski

IN THE same week that the Cutty Sark went up in flames, we now bear witness to another maritime disaster.

Pirates Of The Caribbean: At World’s End is not a complete shipwreck but it sails perilously close, capsizing in the first hour under the weight of audience expectation.

Rumbustious action set-pieces, augmented with spectacular computer-generated effects, bookend this third instalment of the series, and cute comic interludes buoy the downbeat mood.

However, there’s no mistaking warning flares sent up by Johnny Depp, who looks interminably bored with his character, salty seadog Jack Sparrow.

He barely musters the energy to deliver a performance. If you haven’t seen the first two films, there’s very little point seeing At World’s End.

Screenwriters Ted Elliott and Terry Rossio presume audiences are savvy with the characters and their fates, chugging full steam ahead with the quest to rescue Jack from Davy Jones’s locker.

Falling foul of a pact forged with the multi-tentacled Davy Jones (Bill Nighy), Jack finds himself consigned to purgatory.

Thankfully, lovebirds Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley, left) have joined forces with Captain Barbossa (Geoffrey Rush) to rescue Jack from walking the plank to eternal damnation.

They head to Singapore to meet with Chinese pirate Sao Feng (Chow Yun-Fat), in the hope of creating an alliance against the despicable East India Trading Company, which now controls Davy and his vessel, The Flying Dutchman.

The overblown action sequences are thrilling as expected, and Jack’s hare-brained scheme to escape The Land Of The Dead definitely shivers the timbers, as does Keith Richards’s delicious appearance as Sparrow Snr, strumming a guitar and dispensing cryptic advice to his wastrel son.

Knightley is thrust to the fore in this third film, usurping both Bloom and Depp and flings herself into the melee with impressive sword fights. Bloom postures and pouts with fervour, while Depp press-gangs the few decent one-liners.

Supporting performances are drowned out by Hans Zimmer’s bombastic orchestral score.

The romance between Elizabeth and Will is soaked through with sappiness, resolved in the midst of the titanic final battle in a manner that will have even the most ardent fan screaming “Plausibility overboard!”

In truth, Gore Verbinski’s film can weather an entire armada of critical drubbing: Dead Man’s Chest became only the third film in history to gross in excess of $1bn worldwide.

Audiences adore Depp’s swaggering anti-hero and the cliffhanger finish of the second film will attract cinemagoers in their droves, quite possibly shattering box office records.

Unfortunately, once the initial storm of excitement and anticipation blows itself out, At World’s End will be dead in the water.

*icLiverpool*

Sweeney Todd: The Demon Barber of Fleet Street


Johnny Depp sings for his gruesome supper in Tim Burton's latest Gothic masterpiece.

For a director who never writes his own scripts, Tim Burton is a remarkably consistent artist. Aside from the disaster that was Planet of the Apes (2001), he has never made a film that did not feel deeply personal, and his sumptuous adaptation of Steven Sondheim's famous musical about 19th-century barber Sweeney Todd, who made his customers into meat pies, is no exception.

In the version of the story concocted by Sondheim and collaborator Hugh Wheeler - adapted here by screenwriter John Logan - Sweeney (Johnny Depp) is really Benjamin Barker, a barber transported to Australia for 15 years for a crime he did not commit. On his return to London, he learns from his former landlady, Mrs Lovett (Helena Bonham Carter), that his wife has been driven to suicide by the villainous Judge Turpin (Alan Rickman).

Taking up quarters once more above Mrs Lovett's pie shop, Sweeney plots his revenge and returns to his old trade. When his former assistant (Sacha Baron Cohen) tries to blackmail him and meets a grisly fate, it is the practical yet unconventional Mrs Lovett who proposes a means of disposing of the corpse that will, so to speak, kill two birds with one stone.

Sondheim's ingeniously rhymed, blackly witty lyrics suggest that Sweeney and Mrs Lovett have simply taken the universal principle of "man devouring man" to its logical conclusion. But Burton has never been especially interested in social commentary - or even in society, as anything more than a foil for his solitary anti-heroes. He and Depp are more concerned with the personal plight of Sweeney, a dead-eyed loon whose skill with the razor also makes him a gifted artist.

This version of the story puts a new, particularly bleak slant on many of Burton's cherished themes - the victim turned killer, the loner who becomes head of a surrogate family - while offering all the pleasures of traditional blood-and-thunder melodrama. Burton revels in the giddy, excessive horror of the material, but never treats Sweeney's disillusionment with humanity merely as a joke. Likewise, Bonham Carter is both fetching and genuinely chilling as Mrs Lovett, who is perfectly willing to condone Sweeney's murders provided they are done for "respectable" reasons.

With many songs from the stage version of the show truncated or omitted, this may not be a movie to satisfy purist Sondheim fans. Depp in particular will never be mistaken for a singer, but he dives into the part with such relish that his spiteful murmur becomes an acceptable convention after the first 20 minutes or so. Dramatically speaking, the mostly English supporting cast could hardly be bettered. Rickman is surprisingly restrained as Turpin, a psychopath as helplessly egotistical as an infant, and Timothy Spall at his hammiest is a natural to play the abjectly servile Beadle Bamford, whose very name suggests his kinship with Mr Bumble from Oliver Twist.

As much as he loves the jowly or cadaverous faces of English character actors, Burton loves to doodle in the margins of whatever tale he tells: in an inspired dream sequence, Mrs Lovett imagines running away to the seaside with Sweeney, who walks beside her along the pier like a zombie in a tailored suit. It's a cartoonist's conception - the images look like collages made by cutting up old postcards and pasting them together.

Given the geysers of blood that flow when Sweeney gets to work, it is remarkable how far Burton's visual approach depends on literal understatement - draining most of the colour from the image, placing the actors against blank or drab backgrounds and keeping them at a slightly greater distance than expected.

There is a kind of affinity between the deceptive simplicity of this style and the trickiness of Sondheim's score: the melodies seem easy to grasp for a few bars at a time, then slide out of reach. Certain musical phrases lodge in the head since they recur so often in different contexts - Sweeney's autobiographical recitative (beginning "There was a barber and his wife . . .") or the opening of Nothing's Going to Harm You, a soothing lullaby that turns unforgettably sinister when reprised.

But the song that haunts me most is the deliberately banal Pirelli's Miracle Elixir, an advertising jingle sung by Toby (Ed Sanders) to promote a hair tonic marketed by Sweeney's rival. In the second half of the film, Toby is hired by Sweeney and Mrs Lovett, and uses the same tune to shill their meat pies. The metre remains so regular that one might suspect a submerged pun on "organ grinder".

*Fairfax Digital*

5 things you may not know about poliosis

Here are five things you may not know about poliosis:

1. What it is: Actor Johnny Depp sports one in the movie Sweeney Todd. Blues singer Bonnie Raitt proudly displays hers. We're talking about a white forelock or streak. The medical name for this natural tuft of white hair is poliosis, from the Greek word — "pilios" — for gray.

2. Where it happens: While the white patch occurs most often along the forehead, poliosis can involve eyebrows, eyelashes or hair anywhere on the body.

3. Why it happens: This is not a disease. Most people with poliosis are healthy and experience it only because there is no pigment in the hair and skin in that area. It can be hereditary.

4. When little Johnny goes gray: Gray hair in a child is uncommon and should be evaluated by a doctor. It could just be a matter of premature graying, but some early loss of hair color can be associated with thyroid disorders, vitamin B-12 deficiency and other conditions.

5. An overnight phenomenon?: While some people claim psychological shock or trauma can turn hair gray overnight, many scientists doubt it happens that quickly. Prevailing medical opinion traces rapid hair whitening to a genetic autoimmune disease called alopecia areata in which T cells mistake hair follicles for a foreign substance and aggressively attack them, sometimes targeting only pigmented hairs.

*chron.com*

I’d never sing in the shower, says Johnny Depp

Johnny Depp is celebrating his third Oscars nomination for his latest role as the manic Sweeney Todd. But, he tells Rob Driscoll, that the most challenging thing about filming was having to sing

AS Sweeney Todd, the demon barber of Fleet Street, Johnny Depp has to slit several throats before dispatching his customers’ bodies to the pie shop downstairs.

But for the heart-throb actor, who’s won an Oscar nomination this week for his bloodcurdling performance, the real terror lay not with those gruesome scenes of slaughter, but having to sing for the first time in his impressive career.

“I actually did a movie musical many years ago with John Waters, called Cry Baby, but technically that was only half me – it wasn’t really me singing,” recalls 44-year-old Depp, who’s already bagged a Golden Globe for his latest screen role.

“Tim Burton is the only person brave enough to let me try to sing. This was the first time I’d ever sung. I’ve never even sung in the shower – I was too mortified.”

Burton, of course, is the maverick director with whom Depp has now collaborated on the big screen six times – their previous films being Ed Wood, Edward Scissorhands, Sleepy Hollow, Charlie and the Chocolate Factory, and Corpse Bride.

Sweeney Todd, however, is without any doubt their most ambitious and riskiest project yet; a $50m big-screen version of Stephen Sondheim’s lauded 1979 Broadway musical, about the semi-mythical, razor-wielding Victorian barber with a truly twisted idea of revenge.

Who else but Burton could sell to Hollywood the idea of a movie stuffed with cult, semi-operatic show tunes and R-rated violence?

Yet the gamble has paid off handsomely. As well as Depp’s Golden Globe win earlier this month for Best Actor (in a Musical or Comedy), Sweeney Todd won a second trophy for Best Film (Musical or Comedy), and now possible Oscar success looms at the February 24 ceremony, with Depp’s Best Actor nomination – his third bid for that coveted gong, after nods for Pirates of the Caribbean and Finding Neverland.

Burton must have a masochistic streak, because Sweeney Todd is a far-reaching, hugely operatic musical – no sweet and sassy “jazz hands” numbers here – yet almost everybody in his cast is not a professional singer.

That includes his wife, actress Helena Bonham Carter, who co-stars alongside Depp as Todd’s pastry-rolling accomplice, the sad but kindly Mrs Lovett, plus Alan Rickman, Timothy Spall and Sacha Baron Cohen.

It’s nearly three decades since Burton first saw Sweeney Todd on stage, and clicked instantly with everything about it. “I was still a student, and I didn’t know if I would be making movies or working in a restaurant – I had no idea what I would be doing,” says Burton “I didn’t go to the theatre much, I’m not a big musical fan, and I didn’t even know who Stephen Sondheim was.

“I didn’t know anything about the show, but I just wandered into the theatre and it just blew me away because I’d never really seen anything that had the mixture of all those elements. I actually went three nights in a row because I loved it so much.”

Fast forward some 28 years, and Burton had only one actor in mind to play his big-screen Sweeney Todd – Johnny Depp. “Every time Johnny and I work together, we try to do something different – and singing for a whole movie is not something we’re used to,” says Burton. “We’re always wanting to stretch ourselves, and this was a perfect outlet for that.”

Right now, Depp is at the peak of his game. Considered to be one of his generation’s finest actors, his stock has skyrocketed in recent years thanks to his starring role as Jack Sparrow in the Pirates of the Caribbean trilogy, which also brought him an Oscar nomination for Best Actor.

Now, the Golden Globe for Sweeney Todd has put him into the ultimate A-lister league. It’s perhaps the least likely role with which he might have expected to win an award, however, precisely because of the singing.

In the ‘80s, Depp had played guitar in a band in Florida called The Kids, although even now he insists he never actually sang an entire song. “I was the guy who would come in and sing the harmony, very quickly,” he laughs. “So I’d never sung a song, certainly not.”

To find out whether he could sing or not before embarking on his most challenging film project, Depp called his former bandmate, Bruce Witkin, who had been the singer and bass player in The Kids, and the pair of them went to Witkins’ Los Angeles studio to record Depp singing My Friends from Sweeney Todd.

“That was the first song I ever sang in my life,” explains Depp. “It was pretty weird and scary. And I trusted Bruce to be honest with me on his verdict. He simply asked me, ‘Do you want to hear the good news or the bad news?’ I said, “Well, give me the bad news.’ And he said, ‘The bad news is that you’re going to have to do this.’”

Depp’s voice on the film is indeed surprisingly strong – an eerie, sophisticated mixture of David Bowie and Anthony Newley, some have suggested. Bonham Carter says, “It’s very sexy singing, and it sounds like him, that’s what’s exciting. He sings from the gut, and it’s a very emotional role.”

Likewise, Bonham Carter was required to deliver some very complex songs, in a role she’d hankered after since she was a teenager.

“I’ve always wanted to be in a musical, but I never thought I could sing, except in the bathroom,” she explains. “So I gave myself three months to learn.”

Despite her relationship with Burton, Bonham Carter argues she was far from a shoo-in for the role of Mrs Lovett. “I would certainly say that it made it much harder,” she says.

“Tim told me that I looked right for it, I was potentially right for it, but he had no idea if I could sing. So I said I’d try to learn, while he said, ‘It will always be good for you to try to have singing lessons.’

“I had to be righter than right, just for my sake. I didn’t want to feel like I’d got it just because I’d slept with the director! At the end of the day Stephen Sondheim had final say – and I definitely didn’t sleep with him!”

During the production of Sweeney Todd last year, Depp’s young daughter Lily-Rose fell critically ill, having caught an E.coli bacteria infection that began to cause her kidneys to shut down, and resulted in an extended stay at London’s Great Ormond Street Hospital. As a result, her father had to abandon the film shoot for several weeks.

“I don’t know what anyone else’s feelings on the film set were at the time, whether I was coming back or if I wasn’t coming back,” recalls Depp, whose main home is in Paris with his partner, singer Vanessa Paradis and their children – eight-year-old Lily-Rose and five-year-old Jack.

“I really wasn’t sure if I’d be able to come back. Tim and the production were unbelievably supportive, and they said, ‘Look, we’re hitting pause.’ For that, I’ll be eternally grateful.”

Thankfully, Lily-Rose recovered fully and recently Depp gave a £1m donation to Great Ormond Street Hospital as a thank you for saving his daughter’s life. He also invited five doctors and nurses from the world-renowned children’s hospital to the premiere party of Sweeney Todd – and unknown to the public, spent four hours at the hospital telling bedtime stories to patients, dressed as Captain Jack.

Sweeney Todd – The Demon Barber of Fleet Street opens today

*icWales*

Depp to replace Ledger

The film that Heath Ledger was shooting when he died will continue shooting as a new face is brought in

Still reeling from the sad news of the untimely death of Heath Ledger, we were interested to read that it has taken less than a week for talks of his replacement on Terry Gilliam’s forthcoming ‘The Imaginarium of Doctor Parnassus’ to emerge.

According to a piece in the Sun, it looks like Gilliam muse Johnny Depp is going to be stepping up to the plate. Interestingly, however, we may not be due a ‘Lost in La Mancha 2’ quite yet, as, in ruthlessly efficient Hollywood style, Depp is just going to carry on where Ledger left off. As Gilliam told the Sun: 'Ledger's character falls through a magic mirror. He could change into another character after that and that is where Johnny would come in.'

The latest news on Ledger’s death now suggests that he could have passed from natural causes, with reports claiming that the level of toxicity in his blood was low enough that there is a possibility that it may not have been the reason for his death.

*Time Out London*

Ripping yarns

Sweeney Todd looks good and sounds great but lacks true emotion


Director: Tim Burton, 18, 95min

Stars: Johnny Depp, Helena Bonham Carter

The revenge movie gets a Gothic musical makeover thanks to Tim Burton, Johnny Depp and Stephen Sondheim. The latter’s 1979 hit musical featured an 18th-century London barber newly returned from false imprisonment in Australia and reeking furious vengeance. He does this with the help of his pie-baking landlady Mrs Lovett, and lots, and lots, of singing.

Thus the hype and speculation generated around Burton’s Sweeney Todd has focused almost exclusively on the vocal challenges faced by stars Depp (as Todd) and Bonham Carter (as Lovett) – can they sing? Can they convince? Will they hit the high notes? The answer, of course, is that they sing perfectly well (though Depp does a few too many bars of Rex Harrison style talky-singing). But the great communal sigh of relief and the subsequent adulation that has followed this revelation have somehow obscured the fact that Sweeney is only a minor work – visually ravishing, and buoyed by Sondheim’s sweet lyrical élan – but certainly not Burton at his best.

The film has a relentless linearity to it. Todd announces, in an early musical number, that he “will have vengeance”, and then he does just that for the next 60 minutes.

The songs are amiably lilting and melodic without ever once producing a barnstorming set-piece singalong. And while Depp and Bonham Carter are both beautiful to look at, they generated far more screen heat in their previous musical collaboration with Burton, The Corpse Bride. In that superlative film, a simple piano duet between Depp and Bonham Carter’s marionette doppelgängers unearthed more genuine human emotion than anything found in the full-length feature of lovingly crafted whimsy that is Sweeney Todd.

*Times Online*

Scissorhands to bring his ‘shear magic’ to Perth


An acclaimed ballet version of Johnny Depp’s 1990 cult classic Edward Scissorhands is set to cut a swath through Australian theatres.

Made with the blessing of Depp and the film’s director Tim Burton, this oddball modern-Gothic fable about a boy with scissors for hands has been playing to sell-out audiences in Britain and America since its London debut in 2005.

This lavish production in which a shock-haired outcast wanders into candy-coloured mid-50s America is bound to do the same when its Australian tour brings it to His Majesty’s Theatre from July 1 to 6.

Sending expectations through the roof is the creator of Edward Scissorhands, British choreographer Matthew Bourne, whose revolutionary Swan Lake featuring a rugby scrum of feathered hunks had audiences gasping when it played in Perth last year. Bourne’s new work — a loose adaptation of the original film — has made just as big a splash as Swan Lake, with Time magazine declaring: “Edward’s magic shears make shear theatrical magic.”

Traditionalists, however, continued to turn up their noses at Bourne’s shameless populism and trademark blurring of the lines between ballet and theatre. He calls it musical theatre while cynics have dubbed his productions “dansicals”.

At the tour launch at the Sydney Opera House yesterday, Bourne said he had been dreaming of turning Edward Scissorhands into a ballet since he emerged in the early 1990s as Britain’s most exciting young choreographer.

But it took almost a decade for him to persuade Burton, co-writer Caroline Thompson, film composer Danny Elfman and 20th Century-Fox to give him the rights to recreate the struggle of Pinocchio-like Edward to find acceptance in prejudiced middle America.

“In a way Edward Scissorhands is Tim Burton,” he said. Bourne got the mother of Helena Bonham Carter, who is the partner of the London-based Burton, to cajole the director into seeing one of his productions.

Bourne was most nervous about Johnny Depp as he was the one who gave Edward his soul. It took many months but Depp finally caught up with the show in Los Angeles.

“He spent an hour with the company and tried on the hands. He wrote to me afterwards and said he was ‘teetering on the edge of tears all the way through it, mate’.”

*thewest.com.au*

Another view


Barber Richard Marshall on Sweeney Todd


I can't say I'd use this film as a training video. Slitting your customers' throats isn't a good business model - you wouldn't get many repeat customers. I don't think I would employ Johnny Depp's Sweeney Todd, either. He looks like a bit of a madman.

I loved the scenes of Victorian London in Tim Burton's movie; and it was great to see the old barber shops with the traditional red and white barber's pole. The red represents blood and the white represents bandages. Years ago, barbers were also surgeons. They would pull teeth and perform bloodletting, so they were no strangers to gore. But I don't think many of them went as far as Sweeney.

Sweeney's razors look more like samurai swords than professional tools. They were obviously made to scare. I've never come across a set of razors of that scale and shape. The traditional shave using a straight razor and strop - a piece of leather used to sharpen the razor - are things of the past now. We use a disposable safety blade for hygiene reasons.

Lathering and preparation is the key to good shaving. Sweeney doesn't apply the soap properly. He brushes it across the face when what you should do is work it in to the skin, softening the stubble and bringing up the bristles. You don't often see Johnny Depp actually shaving a customer - it looked as if they might have used someone else's hands to do the work.

I wasn't sure what to make of the music. Obviously, there's a connection between singing and barber shops - think of barber shop quartets - but I suspect my clientele would be relieved that we don't serenade them while we work. They wouldn't want to hear my voice, anyway.

· Richard Marshall is the owner of Pall Mall Barbers, London. Sweeney Todd: The Demon Barber of Fleet Street is on general release

*Guardian Unlimited*

Hollywood Scouts Looking For Vintage Cars For Depp Movie

Movie To Start Production In March

As Hollywood zeros in on Wisconsin as a location for the upcoming Johnny Depp movie, film crews are looking for some antique props.

The search is on for 100 classic cars to star as background cars in the 1930s-inspired story "Public Enemy," WISC-TV reported.

Media reports said that that director Michael Mann may choose up to 60 classic cars and will either rent or buy them. Owners of such cars are sending in pictures of their vehicles to be considered.

"We bought this back in 1964, and it just sat in the garage for probably 20 years," said vintage car owner Bill Paxson. "My wife said, 'We're either going to have to do something with that car or we're going to have to sell it.'"

The Paxsons restored the car and are now contenders for a spot in the movie.

The film will be shot in locations throughout Wisconsin and Illinois. Production starts in March and will run through June.

Anyone interested in submitting photos of their vintage cars can e-mail them to pechicago@gmail.com.

*Channel 3000*

Johnny Depp to replace Ledger in final role?


Johnny Depp may be poised to replace the late Heath Ledger in the Australian's final film, according to reports.

English director Terry Gilliam is determined to finish shooting Ledger's final film, 'The Imaginarium of Doctor Parnassus', and is said to want Depp in the lead role.

Filming on the set of the fantasy movie was reportedly abandoned following Ledger's death in New York on Tuesday.

However, Gilliam now wants to complete the shoot with Depp in the role.

A studio source told The Sun: "There is a point in the film when Heath falls through a magic mirror. He could change into another character after that and that is where Johnny would come in.

"It's a weird, fantasy, time-travel movie so Heath's character could easily change appearance. It would be a poignant moment.

"Johnny's not working at the moment so everyone is praying he will do it."

Ledger was said to be less than two months away from completing filming on the movie at the time of his death.

*RTE Entertainment*

Depp sick of good looks


Hollywood actor Johnny Depp breaks down in tears every time he looks in the mirror - because he is too good looking.

The 'Pirates Of The Caribbean' star is famed for choosing obscure roles - in such films as 'Edward Scissorhands', 'Ed Wood', 'Charlie And The Chocolate Factory' and 'Sweeney Todd: The Demon Barber Of Fleet Street' - that take attention away from his handsome Hollywood image.

The 44-year-old star says: "I cry every morning when I look in the mirror.

"Every single morning, because I gotta live with this cute face."

On Tuesday Depp picked up a Best Actor Oscar nomination for his role as Sweeney Todd in Tim Burton's 2007 musical version of the classic London-based horror story.

*Ireland On-Line*

Marion Cotillard Gets a Date With Johnny Depp


Cotillard Faces Enemies: What do you get for a Best Actress Oscar nomination? A free dress, a bunch of free dinners, and if you’re Marion Cotillard, a chance to make out with Johnny Depp by landing a role as the torch-singer girlfriend to his John Dillinger in Michael Mann’s period crime drama Public Enemies. [HR]

*Vulture*

Movie starring Johnny Depp may film in Madison, other parts of Wisconsin

Universal Studio representatives visited Madison Sunday in search of classic cars to use in the upcoming film “Public Enemies,” starring Johnny Depp as infamous bank robber John Dillinger.

The film is scheduled to begin production in March and will be directed by UW-Madison alumnus Michael Mann. According to Howard Bachrach, picture card captain in charge of the vehicle search for Universal, possible locations for filming include Madison, Oshkosh, Milwaukee and Chicago.

He said the choice to film in the Midwest was due largely in part to the historical context of the film, which chronicles Dillinger’s Depression-era crime spree and gang involvement that made him one of America’s most notorious criminals.

“This is where the bank robberies occurred, in Wisconsin and Illinois,” Bachrach said.

Bachrach was searching for classic vehicles from 1930-1935, particularly the Ford V-8 model that followed Ford’s classic Model A vehicle in the early 1930s.

*The Daily Cardinal*

Depp’s taking it easy!

Johnny Depp is tired of living life in the fast lane. The Golden Globe-winning actor, who was famed for his wild partying in the mid 90s, has given up driving fast cars and now lives ‘calmly’ in France with partner Vanessa Paradis and their two children.

Johnny says, “I’ve have always liked speed, now I like comfort. We all go through stages of wanting fast cars and bikes. I was no different. Who wouldn’t want a Maserati? But I also wanted to ride in style, or with a bit of history. To get there and to enjoy the journey. I have learnt to grow up and still enjoy myself. I spent a lot of years living on the edge, everyone knows that. So it is good that I now live calmly and happily.”

The 44-year-old star, who spent his childhood moving around with his mother, also revealed he now finally feels settled. Johnny adds, “I have never felt more rooted anywhere. I have never been in one place, like this, where I do feel completely at home. LA was my home from the early 80s to the late 90s, but it still felt so transient compared to this.”

*The Times of India*

Marion Cotillard, Johnny Depp in 'Public Enemies'

French star Marion Cotillard is in talks to star alongside Hollywood icon Johnny Depp in a Depression-era crime drama made by veteran director Michael Mann, it was reported Monday.

Cotillard, who is up for an Oscar at next month's Academy Awards for her portrayal of tragic singer Edith Piaf in "La Vie En Rose," is being tipped to play the girlfriend of bankrobber John Dillinger played by Depp, reports said.

The film is an adaptation of Bryan Burroughs' book "Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-1934."

British actor Christian Bale, star of "Batman Begins" and the upcoming "The Dark Knight," is in talks to play a detective hunting Dillinger.

Dillinger was one of the most well-known crime figures from the early 1930s, responsible for a string of daring heists before eventually being shot dead by police in a Chicago ambush in 1934 aged 31.

*AFP*

Bonham-Carter 'embarrassed' by Depp kiss

Helena Bonham-Carter was left red-faced on the set of 'Sweeney Todd: The Demon Barber of Fleet Street' - because she had to kiss her boyfriend Tim Burton's best friend Johnny Depp.

The actress plays Mrs Lovett in the musical version of the classic horror story and performs a kissing scene with Depp in the movie - whilst her partner Burton directed them.

And the 41-year-old actress admits that even though her partner was watching - she enjoyed kissing one of Hollywood's most lusted after male stars.

She says: "I was being paid by my boyfriend to kiss his best friend."

The grisly blockbuster has been highly acclaimed by critics and fans alike - with Depp nominated for a best actor Oscar at next month's ceremony and Bonham Carter receiving a best supporting actress nod at this year's Golden Globes.

*Ireland On-Line*

Depps good looks make him cry

Each time Johnny Depp looks into the mirror, he breaks down in tears, for it makes the Hollywood star feel that he is very good looking.

The Pirates Of The Caribbean star says that he often selects obscure film roles that cover up his handsome Hollywood image.

“I cry every morning when I look in the mirror, Contactmusic quoted the 44-year-old star as saying.

“Every single morning, because I gotta live with this cute face,” he added.

Depp is known for playing obscure roles in Edward Scissorhands, Ed Wood, Charlie And The Chocolate Factory and Sweeney Todd: The Demon Barber Of Fleet Street.

His portrayal as Sweeney Todd in Tim Burton’s 2007 musical version of the classic London-based horror story won him a Best Actor Oscar nomination.

*Thaindian News*

Depp's a demon says our Jayne

Ulster actress Jayne Wisener has told how she didn't have to act too much in a terrifying movie scene opposite Johnny Depp - because she was already genuinely afraid.

Jayne, who comes from Coleraine, makes her movie debut in Tim Burton's musical project, the macabre Sweeney Todd: The Demon Barber of Fleet Street.

It's a sizeable first role for the 20-year-old, who plays Todd's missing daughter Johanna.

In one scene towards the end, Johanna, disguised as a boy, comes face-to-face with her father, who is unaware of her identity. Depp, who plays Todd, is covered in blood and on a mission to kill.

Speaking to the Belfast Telegraph, Jayne said working with Depp was a delight.

"Of course it was very exciting but I was also so nervous. These people all around me were professionals and knew what they were doing and I just felt like I didn't have a clue.

"There's only one scene that I do with Johnny Depp and to tell you the truth, I didn't have to act too much.

"I just had to look scared and shocked - and that was fine, because I was. I was acting with Johnny Depp."

Jayne was performing with Music Theatre 4 Youth in Londonderry when she landed her big break.

The group's founder Jenny Cooke invited casting agent Jeremy James Taylor to watch her solo performance, pointing out that she would be ideal for the singing role.

Jayne was invited to London auditions, including one in front of director Tim Burton.

After a long process, she finally received the telephone call that catapulted her to fame.

Last week, the willowy beauty joined Depp and other cast members such as Helena Bonham Carter and Alan Rickman at the UK premiere of the film.

"Being on the red carpet was really strange. I'd never seen Leicester Square like that, all those people coming to look at us," she said.

"I felt so nervous but just kept smiling for the cameras."

The former Antrim Rose of Tralee said she never expected the hype and media attention that came with the role, but insisted that her family would help keep her feet on the ground.

"They're very down-to-earth. If I start to get a big head, they'll soon sort that out. But they're also proud of me and very excited for me too."

Sweeney Todd picked up two Golden Globes earlier this week, for Best Movie (Musical or Comedy), while Depp won a gong for Best Actor.

Jayne said: "We're all so pleased for Johnny and to be part of that is such an amazing feeling," she said.

After working with Depp and the rest of the cast, the young actress now hopes to land a few more movie roles.

*Belfast Telegraph*

Kate Moss’ new boyfriend models himself on Johnny Depp

Kate Moss’ new boyfriend, The Kills rocker Jamie Hince has modelled himself on Kate’s former lover Johnny Depp, it has been revealed.

An old pal as revealed that Jamie was a struggling musician when he decided he wanted to be just like the Sweeney Todd star.

Author Sian Jeffreys shared a south London squat with Hince in the late 80s.

In her book Next To Ness, she recalls how he talked of his acting ambitions, saying: “Johnny Depp, that’s who I’m gonna be.”

Supermodel Kate - who celebrated her 34th birthday last week, dated Depp - who now has two children with longterm girlfriend Vanessa Paradis, for three years in the 1990s.

She started seeing Hince, 39 - guitarist with The Kills - last year after splitting from Babyshambles rocker Pete Doherty.

*showbiz spy*

Johnny Depp and Tim Burton talk about working together

ACCORDING to Tim Burton, there once was a time when he would have to convince studios to let him cast Johnny Depp as the star of a musical.

‘‘We're now at the point where they'll give him the lead role in a musical and they don't even know if he can sing,'' Burton says.

‘‘Nothing gets more surreal than that. It's fantastic.''

It's no surprise Burton uses Depp's stardom as yet another punchline.

Their byplay is never-ending.

The two have been trading off each other, both professionally and privately, for years now and it's been nothing but a joy for both.

Depp plays the title character, Sweeney Todd, in Burton's film adaptation of Stephen Sondheim's hit Broadway musical Sweeney Todd: The Demon Barber of Fleet Street.

Despite the challenge of bringing a musical to the screen, neither saw any reason to lighten the mood or tone down the bizarre humour.

‘‘I think Tim only asked me to sing so he could get a good laugh,'' Depp says.

‘‘I was so scared that all it was going to be was me going up there to sing and him just losing it. Him just cackling.''

‘‘I nearly lost it,'' Burton says to Depp, ‘‘when you weren't singing, when you were pretending to be normal. There was one flashback where he was supposed to be a normal guy and I couldn't even be on the set.''

It was a scene in which Depp is pre-Sweeney Todd, simply a happily married barber with a new baby, all before his life is destroyed.

‘‘He just cracked,'' Depp says.

‘‘I had to leave the set. I couldn't even watch it,'' Burton says.

‘‘He was crying,'' Depp continues.

‘‘I almost had a heart attack. Because we did that near the end, after we'd been through everything else.

‘‘With that weird little yamaka wig. So you know,'' -- Burton is still laughing -- ‘‘it was very strange.''

This latest project has taken Depp and Burton's relationship into an uncharted phase -- the stage musical brought to screen.

Based on Sondheim's brilliant play, it's a huge gamble for any number of reasons.

Neither Depp nor any of his co-stars -- Helena Bonham Carter, Alan Rickman, Sacha Baren Cohen and Timothy Spall -- are classically trained singers.

Also, Sondheim's scores are notoriously difficult, yet Depp reveals a remarkable voice and receives fine support from his co-stars.

Whether a real Sweeney Todd actually existed in 19th-century London is still debated, but he has long been the stuff of legend, the story mushrooming after Sondheim gave it the musical treatment in the 1970s.

Though the legend had Sweeney Todd slitting the throats of those he shaved, Sondheim introduced the evil judge who sent Todd to Australia because he secretly coveted the barber's wife, which has become the fully finished version.

The mayhem then ensues when Todd returns, with a healthy helping of blood on his mind.

‘‘It's a story about revenge and how revenge eats itself up,'' Sondheim says.

Depp, typically, leaves all other versions of Todd dead in the water.

‘‘I thought it might be a good opportunity to find a new Sweeney, a different Sweeney. Almost like in a punk rock, contemporary way,'' he says.

The success of the movie is the innate relationship between Depp and Burton, partners in a crime spree that began with Edward Scissorhands and has trekked through Ed Wood, Sleepy Hollow, Corpse Bride and Charlie and the Chocolate Factory.

IT'S a friendship that clicked the moment the pair met in a Los Angeles coffee shop in the late 1980s, where they discovered a shared liking for the absurd.

‘‘This kind of fascination with understanding the absurdity of what was perfectly acceptable in the 1970s . . . for example macrame owls and resin grapes,'' Depp says.

‘‘Fake fruit. No one thought twice about that.''

Such is their trust that Burton has only to call to get Depp for a role.

‘‘Anything he asks me to do, I jump at the opportunity,'' Depp says.

‘‘Except a ballet,'' Burton says.

‘‘No, I actually would. I would try,'' Depp argues.

Depp is asked if he will sing again in the future.

‘‘Never again,'' he says.

‘‘He'll be on the West End, tomorrow evening,'' Burton says, once again laughing hysterically.

‘‘I'll never do it again, not for anyone,'' Depp says, starts to laugh himself now.

‘‘You're going to get all these musicals,'' Burton says.

‘‘Not for anyone,'' Depp says, the Burton laugh track starting to get to him. ‘‘Joseph and the Amazing Technicolour Dreamcoat,'' he says, in fits himself by now.

Then Burton breaks into song: ‘‘Jesus Christ, superstar . . .''

Depp: ‘‘Oh boy.''

*heraldsun*

Johnny Depp wants to play Michael Jackson on big screen

Johnny Depp has revealed that he would love to play troubled pop star Michael Jackson in a movie about his life.

The 44-year-old actor was believed to have based his character Willy Wonka in Charlie and the Chocolate Factory on the former king of pop.

Though Depp maintained that any similarities to Jackson in his portrayal are purely coincidental, he would love to take on the role of the Thriller hitmaker.

"I have heard that I based Willy Wonka on Michael Jackson before, but no, that was not my plan, I wish I had thought of that though,” Contactmusic quoted him, saying.

"But there is still time to play him. He might get up to his old tricks again and maybe there will be a TV movie about him!" he added.

*Hindustan Times*

The Streets declare new Johnny Depp film an 'absolute inspiration'

Mike Skinner takes his hat off to 'Sweeney Todd'

The StreetsMike Skinner has declared new film ’Sweeney Todd’ an “absolute inspiration” after being bowled over by the musical at the cinema.

The movie, directed by Tim Burton and starring Johnny Depp and Helena Bonham-Carter, is an adaptation of Stephen Sondheim’s musical about the mythical murderous barber in London.

Having seen the recently released film version Skinner posted on his blog about how jealous he was of its lyrics - because they are better than his.

“I sat dumbfounded by the rhyme and meter of the songs,” he declared. “It was an absolute inspiration to experience Stephen Sondheim at work. Every single line of the songs roll off Johnny Depp and Helena Bonham's tongues in the way I struggle to do night after day after morning.

”I stare at my big pink book with what I want to say in one side of my brain and all this form, rhythm, rhyme and pace swirling round the other aching side. Every time Johnny Depp ended a stanza with the sharp snap of a clipped trochee I would smile at the huge screen (we were on the front row coz we got in late).”

Urging his readers to see the film, Skinner added that after every line he would “imagine Mr Sondheim, maybe on his way home from a drink with Frank Sinatra, getting out his leathery note book to scratch in a new idea for how to end the line in a more moving and pleasingly percussive way”.

*NME*

Johnny Depp sent his chauffeur’s shoes on a trip around the worldThe Sweeney Todd star swiped the shoes on the set of the Tim Burton movie and organis

The Sweeney Todd star swiped the shoes on the set of the Tim Burton movie and organised for photographs of them next to famous landmarks to be sent to his driver.

One of Depp’s co-stars 14-year-old Ed Sanders let slip about the joke during an interview on Channel 4’s Richard and Judy.

Sanders, who plays barber’s assistant Toby, said: “It was weird. One of the chauffeur’s shoes disappeared and turned up in different places around the world.”

Sweeney Todd The Demon Barber of Fleet Street hits cinema screens this Friday.

*showbiz spy*

Sweeney Todd Cuts Oscar Nod for Johnny Depp

Johnny Depp received his third Academy Award nomination for best actor for his role as the title character in Tim Burton’s gothic musical “Sweeney Todd: The Demon Barber of Fleet Street,” though no nods went to the film, its director or co-star Helena Bonham-Carter.

The nominees for the 80th Academy Awards were announced Tuesday from Beverly Hills, California, with Johnny Depp seeing his portrayal of the psychotic criminal whom he managed to make endearing to the audiences receive a nomination in the best actor category.

Depp, previously nominated for “Pirates of the Caribbean: The Curse of the Black Pearl” in 2004 and “Finding Neverland” in 2005, will compete against George Clooney in “Michael Clayton,” Daniel Day-Lewis in “There Will Be Blood,” Tommy Lee Jones in “In the Valley of Elah” and Viggo Mortensen in “Eastern Promises.”

While “Sweeney Todd” was not nominated in the best picture category, the trophy will be fought over between “Michael Clayton,” “There Will Be Blood,” “Atonement,” “Juno” and “No Country for Old Men.”

As it is, the Coen brothers' film version of Cormac McCarthy's novel that is the critically acclaimed “No Country for Old Men” leads the race with an impressive eight nominations in major categories, as does “There Will Be Blood,” Paul Thomas Anderson's big screen adaptation of the Upton Sinclair novel “Oil!.”

Following closely is “Michael Clayton,” with nominations for best picture, best director (Tony Gilroy), best actor (Clooney), best supporting actor (Tom Wilkinson), best supporting actress (Tilda Swinton) and best original screenplay (Gilroy).

Nominated in the best actress category are Cate Blanchett in “Elizabeth: The Golden Age,” Julie Christie in “Away from Her,” Marion Cotillard in “La Vie en Rose,” Laura Linney in “The Savages” and Ellen Page in “Juno.”

In the best supporting actor category, Wilkinson vies against Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford,” Javier Bardem in “No Country for Old Men,” Philip Seymour Hoffman in “Charlie Wilson's War,” Hal Holbrook in “Into the Wild” and Tom Wilkinson in “Michael Clayton.”

Cate Blanchett receives a second nomination for best actress in a supporting role for “I'm Not There,” as do Ruby Dee in “American Gangster,” Saoirse Ronan in “Atonement,” Amy Ryan in “Gone Baby Gone” and Swinton in “Michael Clayton.”

The nominees for best director are Ethan and Joel Coen for “No Country for Old Men,” Anderson for “There Will Be Blood,” Julian Schnabel for “The Diving Bell and the Butterfly,” Jason Reitman for “Juno” and Gilroy for “Michael Clayton.”

The organizers of the Academy Awards ceremony have been adamant that the event will take place regardless of the ongoing WGA strike, on the scheduled date of Feb. 24 at Hollywood's Kodak Theatre.

Jon Stewart is scheduled to host.

*eFluxMedia*

Casting Call: Johnny Depp Goes ‘Public’

Johnny Depp has signed on to star in the drama “Public Enemies,” Variety reports.

Directed by Michael Mann, the film is set during the great crime wave of 1933-1934, when J.Edgar Hoover was hot on the tail of criminal legends like John Dillinger, Baby Face Nelson and Pretty Boy Floyd.

Depp will play Dillinger, one of the most notorious gangsters of the Depression era.

Shooting will begin March 10 in Chicago.

According to Variety, Depp and Mann agreed to the project just hours before his Hollywood premier of “Sweeney Todd” on Wednesday night.

*Access Hollywood*

Johnny Depp: Nettle Kills Me

JOHNNY Depp has revealed he is a fan of Midsomer Murders — and wants to make a guest appearance.

The actor, 44, got hooked on the ITV1 crime show starring John Nettles while filming Sweeney Todd at Pinewood, Bucks.

Johnny — up for an Oscar for his role as the demon barber — said: “It’s a great show. But who’d live in that place? You just get killed.”

A show source said: “We’d love to have Johnny, he’s such a gothic character.”


*The Sun*

Johnny Depp donates £1 million to a London children's hospital

Johnny Depp has donated £1 million to a London children's hospital for saving his daughter's life.
The Hollywood actor secretly visited Great Ormond Street Hospital, where his eight-year-old girl Lily-Rose was treated last March after her kidneys failed, to personally hand over the sum as a thank you.

Johnny, who kept a bedside vigil with long-term partner Vanessa Paradis when their daughter was treated for E.Coli poisoning, has revealed Lily-Rose's health scare put the family through "hell".

He told Britain's The Sun newspaper: "It was the most frightening thing we have ever been through. It was hell. But the magic is that she pulled through beautifully. Great Ormond Street was terrific, a great hospital."

Filming of his movie 'Sweeney Todd: The Demon Barber of Fleet Street' was halted while Johnny concentrated on nursing Lily-Rose back to health.

He said: "I don't know what anyone else's feelings were at the time - whether I was coming back or not. I wasn't sure if I would be able to.

"But Tim Burton, the director, and the production were unbelievably supportive and said, 'Look we're hitting pause.'"

Last November, Johnny spent four hours at the Great Ormond Street hospital reading bedtime stories to patients dressed as Captain Jack Sparrow after having his 'Pirates of the Caribbean' costume flown over from Los Angeles.

He also invited five Great Ormond Street doctors and nurses to the London premiere of 'Sweeney Todd...' last week.

*the Bosh*

Inside The Actor's Studio: Johnny Depp - DVD Review

It's amazing how many talented actors James Lipton gets in the Actor's Studio. Every major actor and actress, as well as most of the most notable directors, have all taken turns discussing their career on his television show. On September 8, 2002, Johnny Depp stepped into the Actor's studio before the first Pirates of the Caribbean film would vault into the spotlight as a mainstream star (as opposed to his cultish appeal beforehand).

Discussing his career in bits, Depp's insight into acting is something to behold. He's very candid and honest about his career to that point, which had mainly been films that never drew at the box office, and has some interesting things to say about the craft of acting. Lipton doesn't ask him many hard or engaging questions, unfortunately, as he seems to be overjoyed by the fact that Depp is there as opposed to being able to pick his brain about the craft.

It's definitely not one of the better of the Actor's Studio episodes.

A/V QUALITY CONTROL

Presented in a full screen format with a 1.33:1 aspect ratio and a Dolby Digital sound, the film sounds terrific but doesn't have the best of pictures. The picture is a bit grainy on occasion, with the colors bleeding into each other sporadically, but the audio is crisp and well-seperated.

*The DVD Lounge*

On the Move: Johnny Depp

Born in Kentucky in 1963, John Depp, better known as Johnny, is a Golden Globe-winning actor and star of almost 50 films, including Edward Scissorhands, Fear and Loathing in Las Vegas and Pirates of the Caribbean. He lives in France and Los Angeles with Vanessa Paradis, the French singer and actress, and their two children.

Johnny Depp was always considered an oddball by Hollywood studios. The dark and edgy art-house films that Depp preferred were regarded as “box-office poison”. Even when he had his big-money break, in Pirates of the Caribbean, he was almost sacked after two weeks for playing his role as Captain Jack Sparrow like Keith Richards of the Rolling Stones.

But what a turnaround. Depp, 44, one of the coolest men in Hollywood, has been voted the top moneymaking star by American cinema owners. The success of the three Pirates films, which runs to several billion dollars, makes him the hottest act in town. He’s also among the favourites to pick up the best actor award at this year’s Oscars for his starring role in the horror musical Sweeney Todd: The Demon Barber of Fleet Street, for which he bagged a Golden Globe.

Suddenly it seems he can do no wrong. Even Tim Burton, who directed Depp in Sweeney Todd, their sixth movie together, is mystified. “I never thought I would see the day when a major film studio allowed me to make an 18-rated musical with a lead actor who has never sung in his life.”

But Depp, despite admitting some trepidation about the singing – “I had never even sung in the shower. I would be too mortified” – seems to take it, along with everything else, in his stride. As he sits in a London hotel suite, his slight frame, chiselled features, dark hair and moustache give him the air of someone a decade younger.

Living at full throttle hasn’t given him so much as a grey hair. Life in the fast lane on the road includes ownership of Harley-Davidsons, a customised 1960s 650cc Triumph Bonneville motorcycle and a Norton Commando. Outside his Hollywood home is a sporty Porsche 911 Carrera, but he admits his priorities are changing. “I’ve always liked speed, but now I like comfort,” he says. “We all go through the stage of wanting the fast cars and bikes. I was no different. Who wouldn’t admire a Maserati? But I also wanted to ride in style, or with a bit of history. To get there – and enjoy the journey.”

He finds the comfort zone in his modest Mercedes-Benz A-class, the same model he reversed into the gates of his French country home on the Côte d’Azur a couple of years ago. He shares car and home with his girlfriend, Vanessa Paradis, and their children, Lily-Rose, 8, and Jack, 5. His family has changed his life. He became mainstream on screen and in his private life at about the same time. “I have learnt to grow up and still enjoy myself,” he says. “I spent a lot of years living on the edge – everyone knows that. So it’s good that I live calmly and happily.”

In March last year that new-found happiness almost deserted him when Lily-Rose was admitted to Great Ormond Street hospital in London while he was filming Sweeney Todd. She had contracted an E. coli bacterial infection, her kidneys were beginning to shut down and Depp thought they might lose her. Last week he donated £1m to the hospital as a thank you for saving her life and in November he spent four hours at the hospital, dressed as Captain Jack Sparrow, telling bedtime stories to patients.

He is clear about what his family life in France has given him, after a childhood spent moving around with his mother, Betty, a waitress, his father, John, an engineer, and his three siblings. “I have never felt more rooted anywhere,” he says. “I have never been in one place, like this, where I felt completely at home. Los Angeles was my home from the early 1980s to the late 1990s but it still felt transient compared to this.”

He certainly lived the life in Hollywood. He owned the infamous Viper Room nightclub when River Phoenix died outside it from a drugs overdose. While still trying to make it in his first career as a wannabe rock star, he was married, at 20, to Lori Anne Allison, a make-up artist, whom he divorced in 1985. He has been engaged to more famous women than possibly any other actor, including Winona Ryder and Kate Moss. He trashed his room at the expensive Mark hotel, New York, after an argument with Moss, and ended up in jail.

He made news for all the wrong reasons, while delivering films such as Edward Scissorhands, What’s Eating Gilbert Grape?, Ed Wood and Don Juan DeMarco. They established his acting credentials but failed truly to light up the box office. It did not seem to bother him. “One consistent theme in all the characters I play is that they are considered freaks, but to me they are real people,” he says. “They feel love, anger and loneliness. Why am I attracted to those parts? I identify with them. I am attracted to emotions. I then watch the film once or twice and let it go. After my job is done, it is almost none of my business. The director decides what is used and how.”

His title role in Sweeney Todd, which opens in UK cinemas on Friday, is garnering him some of the best reviews of his career. It is based on the award-winning musical composed by Stephen Sondheim. Depp plays Benjamin Barker, a high-class barber, who returns to London swearing revenge after being imprisoned for 15 years on trumped-up charges because a judge, played by Alan Rickman, wanted him out of the way so he could steal his wife. He opens a barber’s shop and sets about cutting the throats of his enemies, aided and abetted by Mrs Lovett, played by Helena Bonham Carter, Burton’s girlfriend, who uses the human flesh as filling for her famous pies. It seems right up Depp’s street, with its heavy gothic overtones, much flashing of open razors and blood by the bucketload.

Now Depp is no longer struggling with the teenage demons that left him with several self-inflicted scars. “I felt weird at five,” he says. “Yes, it’s true. At the age of 12, I felt it was me against the world. I remember locking myself in my bedroom and playing my guitar. It seemed as if I was in there for about two or three years. The most important thing is that now, at least, I feel comfortable with myself. I do not have to pretend any more about who I am. I do not want to portray any image that is not myself.”

My stuff...

On my CD player Everything from the early Rolling Stones, Iggy Pop and Billy Idol to reggae and African music

On my DVD player Films featuring Marlon Brando, who had the right perspective on the Hollywood industry from day one

In my parking space A Mercedes A-class

I would never throw away Photographs of my children

*Times Online*

Johnny Depp asks Carol Vorderman for advice about schools

Johnny Depp has reportedly asked former Countdown presenter Carol Vorderman for advice on where his children should go to school when they’re in England.

Johnny bought a home in the South-West after spending time in the area while filming part of Chocolat in Wiltshire in 2000 and after a year of renovations, is now planning to base his family there when he is filming in the UK. As that could means stays of months at a time, Johnny is said to want to enroll eight year old daughter Lily Rose and six year old Jack into local schools.

A source told the Daily Mail: “Johnny met Carol after he bought a home right by her own.”

“They have met up a few times and their kids get along well. He is set on sending the children to British schools.”

“Carol’s [children] go to Clifton College in Bristol and Johnny is going to check it out.”

Johnny and partner Vanessa Paradis also have homes in France and on a private island in the Bahamas.

*fametastic*